A struggling novelist moves his wife and young son to an old country home where he intends to write his next bestseller, but when a presence begins to communicate with his son, the tortured family must fight to escape an evil that threatens to doom them to the house for eternity. 《莫(mò )霍(huò )克(🤧)人(🐶)(rén )》立意(yì )为(wéi )历史剧，发生(🙍)于(🧢)1812年第二次独立战争接近尾(🕝)声(🅱)之时(shí(🎦) )，但(dàn )随(suí )着美(měi )国(😗)(guó(👻) )原罪(zuì(🏛) )在(zài )眼前展开，由此(🙍)产(🎙)生的神(👪)秘色彩和恐怖效应(🛀)让这部影(📬)片(piàn )真正(zhèng )成(chéng )了(🛒)令(lìng )人(ré(🖤)n )毛骨悚然之作。 《莫霍(🔅)克人》立(🍣)意(😉)为历史剧，发生于1812年(🖇)(nián )第二(🐥)(è(🎍)r )次(cì )独立(lì )战(zhàn )争接(jiē )近(⭐)尾(🎯)声之时，但随着美国原罪在(📬)眼(🖍)前展开，由此产(chǎn )生的(de )神(shé(🉐)n )秘(🈯)色(sè )彩(cǎi )和恐(kǒng )怖(bù )效应(💨)让(♏)这部影(😬)片真正成了令人毛(😀)骨(😈)悚然之(📅)作。 A romantic thriller that explores the emotional aftermath of a one-night stand (and the inherent risks of hook-up culture) as a lonely man imagines what life might be like with a mysterious stranger he picks up on the New York City subway. 在(zài )兰若(ruò )寺(sì(🛒) )乱(🌯)葬(zàng )岗(🛰)(gǎng )外，女(nǚ )鬼聂小烟(🔋)与女鬼海(❕)棠同为树妖空城的(🥘)手下，两人(🥙)一起为(wéi )空城(chéng )服(😸)(fú )务，抗(👦)(kà(😢)ng )击捉妖师燕南天，并(😮)日久生(🎋)情(👶)，约定要互相守护对方，不料(🤝)(lià(🥁)o )聂(niè )小烟(yān )在(zài )偶遇(yù )书(🗨)生(📆)傅青竹后，这一切都发生了(💬)改(🥌)变，一场三角恋(liàn )生死(sǐ )之(🛑)(zhī(😑) )争愈(yù(🚎) )演(yǎn )愈烈(liè )。 《四个春(🔸)天(🍥)》是一部(⛩)以真实家庭生活为(🏵)背(🎸)景的纪(🤤)(jì )录片(piàn )。15岁离(lí )家(😜)(jiā )，在(zài )异(🍔)(yì )乡漂泊多年的导(🙂)演以自己(🍲)南方小城里的父母(🧣)为主角(🐘)，在(🐕)(zài )四年(nián )光(guāng )阴里(🎥)(lǐ )，以一(🕧)己(♌)之力记录了他们的美丽日(😊)常(🧠)。在如诗的乐活慢生(shēng )活图(❌)(tú(😙) )景(jǐng )中，影(yǐng )像缓(huǎn )缓(huǎn )雕(🕤)刻(🎶)出一个幸福家庭近二十年(🧙)的(👊)温柔变(💳)迁，以及(jí )他们(men )如(rú(🎏) )何(💱)以(yǐ )自(🏟)(zì )己的(de )方(fāng )式面对(🙄)流(🔧)转的时(👟)间、人生的得失起(🔁)落。 A newly reunited young couple's drive through the Pacific Northwest turns into a nightmare as they are forced to face nature, unsavory locals, and a monstrous creature, known to the Native Americans as Oh-Mah. 工厂停(🛣)工，张金(jīn )生无(wú )处(😏)(chù )可去(qù(🈺) )，他独自一人在工厂(🐹)徘徊，一段(🅰)古怪的声音把他引(😃)入另一(👥)(yī(🗝) )个世(shì )界(jiè )，那(nà )里(lǐ )时而(🎣)漫(🍀)天大雪，时而寂静荒凉，他看(🥋)到(🎨)了不同的自己。 An elderly woman, a war veteran, recalls her experiences as a member of the all-female bombing squad nicknamed 'Nachtexen' (Night Witches) during World War II