武(📬)则天登基(jī )前，“无头(tóu )神(🚺)将(🎺)”怪(🎉)物(wù )奇袭皇陵，屠杀官兵(🅰)和(🌕)(hé(🎼) )工匠。武后派民(mín )间神探(🛃)狄(💰)仁(🍢)(rén )杰调查此案(àn )。狄仁杰(🆕)多(🚄)(duō(😺) )次涉险后终(zhōng )于发现幕(🍶)后(💧)黑(🍖)手(shǒu )的身份和无(wú )头神将(🥅)的(✡)真(zhēn )面目。敌人(rén )袭击祭天(👽)大(🏏)(dà )典(🐮)，狄仁杰(jié )摧毁“无头神(🐭)将(jiāng )”，击(🛬)溃敌(dí )人，保护了(le )武后。 摄影(yǐ(🚺)ng )师王树因一(yī )次“死亡拍(pā(✌)i )摄(🎊)”获(♒)奖并一举(jǔ )成名，于此(cǐ(🚕) )同(😰)时(🥃)他也断(duàn )送了自己的(de )摄(🎶)影(👌)生(🔑)涯。在舆论的审判下，没有(😏)一(🏎)家(🛷)(jiā )摄影公司愿(yuàn )意接纳(🏚)他(📗)，王(🉑)树不得不(bú )转行维持生(📎)(shē(📼)ng )计(🎩)，不想却变成(chéng )了网络爆红(🛰)的(🏦)“审判者(zhě )”，并陷入(rù )了一宗(🕰)扑(🔖)朔(shuò(🍓) )迷离的死亡(wáng )绑架事(⛸)件，踏上(🌗)(shàng )了“心灵审(shěn )判”的漫漫(màn )长(🕠)路...... The incredible story of how the Beatles emerged from post war Liverpool and turned music upon its head with their changes from skiffle to rock and roll and the creation of the Mersey Beat sound. 曼道和(hé )他的成年侄(zhí )子(👋)杰(📃)克逊使(shǐ )用星体投射来(🤔)扭(💘)(niǔ(🥨) )转鬼魂在万(wàn )圣节的死(👑)亡(😘)(wá(📧)ng )。 ユミは夫(fū )と娘の３人(🌈)(ré(🗒)n )暮(❇)らし。近々引っ越しを考(🌄)(kǎ(🖊)o )え(🧜)ている。ユミは娘のレイ(🥁)ナ(🎃)が(🔷)時(shí )折うわ言を発するこ(🖇)と(🍕)が、少々気にかかってい(⛄)た(🌵)。転居(🛎)の報(bào )告も兼ねて友(🥂)人ヒロ(🍚)ミと久々に再会するユミ。話(👜)(huà )題はいつしか「あの日(rì(💱) )」(🚄)のことに。「私たちが埋(⏬)め(➗)た(👅)時、本(běn )当に死んでた(❇)の(🎓)か(👺)な？」。ユミは「あの日(💃)」(🚨)の(🎖)ことを清算すべく、サ(❗)エ(💧)、(⏮)アコにも再会を決意(yì(🍊) )し(🐎)、(🥖)廃墟のような家に一人で(💦)住(🙎)むサエに会いに行く。サエ(🔁)は(🍻)、見知らぬ少女が現れて(🎬)娘(😬)だと(🗝)言(yán )って聞かず、しばらく(👤)一緒(xù )に暮らしていたが死(🕙)んだこと、そして少女は(🛩)死(🥢)ん(🛅)だままその家の３階に(📯)寝(🙄)か(🚠)されているということ(🕊)を(🕟)話(🚫)し出す。(C)「黄泉がえる少(♍)女(🦖)」(🎢)製作委員会(huì ) 在贝鲁特(🙀)一(👊)(yī(✋) )个街角的咖(kā )啡店二楼，有(📻)一(🐲)面大大的转(zhuǎn )角窗和一台(🔓)电(🚵)视机，一(yī )位78岁的退伍(wǔ )将(🕙)军(📑)和一(🍡)位(wèi )81岁的退伍军(jun1 )医每天早上(🚚)都会(huì )在这里碰面(miàn )，看着街(💧)角(jiǎo )车来人往，做着填字游(📙)(yó(🤼)u )戏(💧)，以此对(duì )抗阿茨海默综(💒)合(♋)(hé(🥘) )症。伴随两(liǎng )位老人的玩(🚄)(wá(⏬)n )笑(📇)和字谜，咖啡馆的顾(gù )客(🚒)纷(🐧)纷(🙏)登场。本片用发生在(zài )一(🚇)个(💬)社(💈)会小(xiǎo )角落16天之内(nèi )的一(🧣)系(🎄)列事(shì )件，四两拨(bō )千斤地(👢)讨(🧠)论了人(rén )生、政治、历史(💓)等(🥙)话题(🚕)(tí )；通过单场(chǎng )景多幕剧的(🥐)(de )结构让人感(gǎn )受到老人们的(🌓)孤(gū )独，以及疾(jí )病带来的(💇)苦(🍋)(kǔ(♍) )涩，同时映(yìng )射出黎巴嫩(🔼)(nè(🎂)n )暴(🧔)力事件肆(sì )虐的现状。以(🏐)小(🛥)(xiǎ(🙍)o )见大，令人(rén )回味。 收到(dà(🔎)o )媽(❌)媽(💟)從山上(shàng )寄來的蜜蘋(pí(🛵)n )果(🗽)，小(😡)月計算著，媽媽已經(jīng )在外(🆕)工(🍼)作許(xǔ )久了，媽媽(mā )的搖籃(🐎)曲(🅿)總(zǒng )是在耳邊呼(hū )喚著。『(👬)你(🆕)媽多(😄)(duō )久沒回來了？』是小月(yuè(🏙) )（13歲）與碧(bì )艷（15歲）兩(liǎ(🕴)ng )個小女孩彼(bǐ )此關心的話(⛏)語(🥢)。 Juanita, a loud 35 year old mulata, returns to her homeland to spend Christmas with their loved ones along with 350,000 Dominicans living abroad. She does not come alone, she's accompanied by Mariano, a rough Spanish man much older than her, he's anxious to get to know this island where you can sow 365 days a year. Mariano has decided for the first time in his life to take a risk, he sells his share of the land in Burgo de Osma to a brother and helps Juanita pay for the mortgage of her house in Santo Domingo just when she was about to lose it to the bank. Upon arrival, Juanita confesses she has two children, Mariano confesses in return to have taken advantage of her illegal status in order to get her to stay with him. Amidst these confessions the avalanche of family and friends falls on them, among them is Jairo, the father of her children, a typical 30 year old street wise Dominican who looks at him with jealousy. What Juanita did not confess to Mariano is that she has allowed Jairo to stay at her house to help with the children. Juanita and Mariano, who while being in Spain clung to each other like two castaways to a raft, will try not to drown in Santo Domingo.