Taapmaan is a hard-hitting, dark action drama about an independent filmmaker whose only wish is to become the kind of filmmaker he wants to be. He has been struggling since quite long but still has nobody standing by his side. In addition to this, his not-so-successful career gets affected badly when an online critic, with whose opinion he had once disagreed, gets him framed for making a snuff film. When he's not provided justice, he gets shattered from within and proclaims openly to sacrifice his speech unless he gets justice. But in the age of digital media, isn't he just another guy who wants his work to be seen and appreciated? His battle intensifies when time passes by and lack of justice makes him brutal and extremely angry. 牧江(⭐)村郊野山藏(🚦)有(yǒ(🌜)u )一(yī )怪(🏻)(guài )，赤(🐢)(chì )面獠牙，名(🎦)曰垃圾人，他(⚪)身世神秘，以(🧠)垃圾为食，日(💯)(rì )遇(yù )村妇(🚰)马秀娟，将其(🏊)掳(lǔ )掠(luě )。马(🕹)(mǎ )秀(xiù )娟通过与垃圾人的交往，发现他虽丑陋(🚸)骇人，却(què )心(💼)(xīn )地(dì )单(dā(💁)n )纯。但天不遂(👙)人愿，“单纯”的(🛍)垃圾人却将(😘)马秀(💴)娟视(shì(😂) )为(wé(🌔)i )配(pèi )偶，囚于(🐹)废弃厂房(fá(🔠)ng )。矿(kuàng )山(shān )老(⏱)(lǎo )板徐东南(🤮)徐西北两兄(♊)弟欲借炸山(👝)除垃(👤)圾人之(👘)名在(👸)(zài )野(yě )山(shā(🐮)n )非(fēi )法(fǎ )拓(😍)矿，全然不顾(📉)马(mǎ )秀娟安(🏂)危。而垃圾人(⤴)通过马秀娟(🅰)逐(zhú )渐(jiàn )了(🌓)解人类的尊重与爱(ài )，遂(suí )将(jiāng )其(qí )放归牧江(🍀)村。马秀娟得(👍)知徐东南阴(🥓)谋后为救垃(🏾)(lā )圾(jī )人(ré(🦃)n )与(yǔ )之(zhī )抗(🛵)争，最(⛄)终被绑(🥜)于山(🈷)上，垃圾人为(🚟)救马秀娟与(🤫)徐东南(nán )死(🛢)(sǐ )命(mìng )相搏(🧚)，后被徐东南(🛷)(nán )炸(zhà )死(sǐ(🏵) )。环(huá(🐎)n )保组织(🔱)声明(🛒)垃圾人出现(🦐)乃牧江村的(😯)环保意识薄(🥊)弱(ruò )之(zhī )恶(📈)(è )果(guǒ )，垃圾(📅)人本无罪，罪(🙉)(zuì )在人心对(🗣)环境的态度，并呼吁民众(zhòng )善(shàn )待环境。 After his mother's sudden death, Socrates, a 15-year-old living on the margins of São Paulo's coast, must survive on his own while coming to terms with his grief. 讲述了少(shǎo )女(nǚ(😑) )小(xiǎo )鹿(lù )遁(🕦)(dùn )入神秘幻(🏾)境，经历了一(🅰)系列光怪陆(🦀)离的(✡)诡异事(🎢)(shì )件(🤢)(jiàn )，一(yī )次(cì(🐛) )次穿越神秘(🃏)的光门，最终(🚢)从不明身份(📦)者的死亡威(👔)胁中(zhōng )逃(tá(🌝)o )离(lí(🤫) )的故事(🖲)。为了(🐝)保证(zhèng )绝(jué(⬇) )佳(jiā )的(de )视(shì(🚁) )觉效果，众乐(🐥)乐影视联手(💈)韩国特效团(💈)队，共同打(dǎ(⚪) )造(zào )惊(jīng )险(💻)(xiǎn )刺(cì )激的奇幻冒险之旅(lǚ )。 在贝鲁特一个街角的咖啡店(🍌)二楼(lóu )，有一(📛)面大大的转(👤)角窗(chuāng )和(hé(👠) )一(yī )台(tái )电(🖋)(diàn )视(🐬)机，一位(🔈)78岁的(📜)退伍将军和(🌚)一位81岁的退(🍎)伍军医(yī )每(🦃)(měi )天(tiān )早(zǎ(🚞)o )上(shàng )都会在(🚙)这里碰面，看(🥥)着街(⛄)角车来(🚱)人往(🏔)，做着填字游(🚬)戏(xì )，以(yǐ )此(⬛)对抗阿茨海(🚕)默综(zōng )合(hé(🖲) )症(zhèng )。伴(bàn )随(🐁)两位老人的(🗝)玩笑和字谜(🕺)，咖啡馆的顾客纷纷登(dēng )场(chǎng )。本(běn )片(piàn )用发生在一个社会(🈵)(huì )小角落16天(🚋)之内的一系(🐆)列事件，四两(😝)(liǎng )拨(bō )千斤(🌓)地讨(⏺)论了人(😭)生、(📨)政(zhèng )治(zhì )、(🕕)历(lì )史等话(😐)题；通过单(🖨)场景多幕剧(🐊)的结构让人(🌗)感受(shòu )到(dà(🕌)o )老(lǎ(📘)o )人(rén )们(🤢)(men )的孤(🎾)独，以及疾病(👳)带来的苦涩(🌚)，同时映射出(⬅)黎巴嫩暴(bà(🤶)o )力(lì )事(shì )件(📬)肆虐的现状(🌋)。以小(🐆)(xiǎo )见(jià(📤)n )大(dà )，令人回味。 ユミは夫と娘の３人暮らし。近々引(yǐn )っ越(👙)(yuè )しを考え(🏄)ている。ユミ(😻)は娘のレイ(🦖)ナが時折う(📳)わ言(🆕)を発す(👛)るこ(🐨)とが、少々(☝)気にかかっ(♎)ていた。転居(🏨)の報告も兼(🐦)ねて友人ヒ(🎐)ロミと久々(🤹)に再(🐬)(zài )会(huì(📵) )する(👡)ユミ。話題は(😟)いつしか「(🏇)あの日」の(➗)ことに。「私(🎵)たちが埋め(⚓)た時、本当(🐤)に死(🎋)(sǐ )んで(📈)たのかな？」。ユミは「あの日」のことを清算すべく、(🥇)サエ、アコ(🚁)にも再会を(🎉)決意し、廃(🗿)墟のような(🍝)家に(🚫)一人(ré(🗂)n )で住(⏭)むサエに会(🎑)いに行(háng )く(😨)。サエは、見(🔭)知らぬ少女(🗂)が現れて娘(🎳)だと言って(🏅)聞か(🍄)ず、し(🐎)ばら(💷)く一緒に暮(👄)らしていた(🕛)が死んだこ(🆓)と、そして(✒)少女(nǚ )は死(🗺)(sǐ )んだまま(🐛)その(😾)家の３(🐠)階(jiē )に寝(qǐn )かされているということを話し出す。(C)「黄泉(🔩)がえる少(shǎ(🎩)o )女(nǚ )」製作(🦑)委員会 A young couple picks the wrong hideout while trying to elude the police. Gaetano decided that he would bury his deceased brother with his family at all costs, even if it meant defying the laws of his Sicilian village and putting himself and his family in danger. “NO BORDER 2D×3D” を(👣)キャッチフ(🧒)レー(🕎)ズに掲(🏾)げ、(🥣)2Dと3Dの境目を(🥁)なくすクリ(😙)エイティブ(💡)な活動を目(🧢)指す３DCGプロ(🎠)ダクション(💱)“Picona Creative Studio”。本作(♟)はどん(🍫)なも(🏂)のでも捨て(🕜)てみせるゴ(🌏)ミ捨て屋コ(😀)ンビと、魔(💢)法を捨(shě )て(🛢)たい魔女が(🛬)繰り(👭)広げる(😭)、ファッション× ポップ× アニメをキーワードに魔(mó(🔖) )法(fǎ )と科(kē(😖) )学(xué )を絡み(😶)合わせたス(📍)ラップステ(🥖)ィッ(🏼)ク・ア(🚹)ニメ(🏟)ーション。同(🚗)社が長年温(🔚)めてきたオ(🔳)リジナル企(🎐)画が、つい(👞)に実現！ After years Toni and Rosa meet again in their old home village in southern Germany. While the village itself has to adapt to the changes of the future, the two women develop an explosive relationship until they reach a point, where both have to make a decision.