摄(👃)影师(🌑)王树(💫)(shù )因(⌛)一次“死亡拍摄”获(huò )奖(jiǎng )并一举成名，于此同时(shí )他也断(💗)送了(😄)自(zì )己的(🛶)摄影(🛺)(yǐng )生(💉)(shēng )涯(🎨)。在舆(🌄)论(lù(🎧)n )的(de )审判下，没有一家摄影(yǐng )公司愿意接纳他，王树(shù )不(bú )得不转行维持(🌆)生计(🌠)，不(bú(😈) )想却(🔭)变成(🚣)了网(🏴)(wǎng )络爆红(🚊)的(de )“审(🕴)判者”，并(bìng )陷入了一(yī )宗扑朔迷离的(de )死亡绑架事件，踏上(🔔)了(le )“心(🛳)灵审(📴)判”的(🍫)(de )漫漫(🌇)长路(🚐)(lù )...... Juanita, a loud 35 year old mulata, returns to her homeland to spend Christmas with their loved ones along with 350,000 Dominicans living abroad. She does not come alone, she's accompanied by Mariano, a rough Spanish man much older than her, he's anxious to get to know this island where you can sow 365 days a year. Mariano has decided for the first time in his life to take a risk, he sells his share of the land in Burgo de Osma to a brother and helps Juanita pay for the mortgage of her house in Santo Domingo just when she was about to lose it to the bank. Upon arrival, Juanita confesses she has two children, Mariano confesses in return to have taken advantage of her illegal status in order to get her to stay with him. Amidst these confessions the avalanche of family and friends falls on them, among them is Jairo, the father of her children, a typical 30 year old street wise Dominican who looks at him with jealousy. What Juanita did not confess to Mariano is that she has allowed Jairo to stay at her house to help with the children. Juanita and Mariano, who while being in Spain clung to each other like two castaways to a raft, will try not to drown in Santo Domingo. 这(👆)部电(🏁)影的(👌)故(gù )事背景让(ràng )人不禁回忆起(qǐ )《逃出绝命镇》。一位黑(hē(💂)i )人男(🦋)性（杰森(🌀)(sēn )·(🐓)米切(🛑)尔(ě(🔢)r )饰(shì(⛲) )）在(🗄)周末的(de )时(shí )候，因为(wéi )觉得周围只有(yǒu )白人朋友所以觉得十分(fèn )紧(jǐ(🍰)n )张。当(🚍)然，这(🈶)部作(🖌)品与(🎊)(yǔ )乔(🎂)丹·皮尔(📇)去(qù(🎟) )年那部符(fú )合大众口味的(de )《逃出绝命(mìng )镇》不同。智(zhì )利导(📁)演塞(🌯)巴斯(🏁)蒂安(🍻)·席(🆕)(xí )尔(🎵)(ěr )瓦(🐵)是一(🌱)个古(🎅)(gǔ )怪(guài )的人，他(tā )的电影如《女(nǚ )仆》、《水晶仙女》、《肮脏的(⏮)婴儿(🗾)》都倾向于(🐷)(yú )剑(🔶)走偏(🕹)锋，故(📴)(gù )事(👺)开始(🎋)会(huì )有(yǒu )点怪异，而(ér )之(zhī )后则会变(biàn )得更加怪异。这种风格对于《周末(✔)生(shē(🛠)ng )日(rì(⛑) )游》意(👡)味着(👁)什么(🚦)呢？还(há(🔍)i )不知(💏)道。但我(wǒ )们非常期(qī )待这种不确定(dìng )性(xìng )，况且演(yǎn )员(🚯)阵容(🖥)中还(🕥)有(yǒ(🔊)u )克里(👜)斯托(🚭)弗·(🧟)阿伯(🦐)特、(🔨)迦(jiā )勒兰德里·琼(qióng )斯,迈克尔(ěr )·塞拉和安·道德。 印(🔗)(yìn )度(🌉)每年有超(👥)过(guò(👘) )二(è(🆚)r )万宗(💾)针对(🧚)女性(🔁)的暴力罪(zuì )案，平均每二(èr )十二分钟(zhōng )就有一名女性(xìng )被(bèi )强暴，每(mě(🖤)i )六小(🙂)时就(🧔)有一(🆙)(yī )名(🍥)妇女(🔱)因家庭暴(🥦)力丧(⏹)命(mìng )。年轻的基层女警索妮与(yǔ )上司卡帕纳在(zài )德里一(🚇)同(tó(✒)ng )接手(🤒)调查(💨)不同(🖍)(tóng )的(🎢)(de )女性(🤵)暴力(🏗)(lì )事(🌘)件，在办案(àn )过程中往往遭受到了重(chóng )大(dà )阻力，无日(rì(🥉) )无(wú(🤼) )之的罪案(🌮)(àn )令(🛏)她脾(🧛)气暴(🏀)躁(zà(💰)o )，做事(😚)方式偏离常规，被(bèi )裁定在执勤中行为不当(dāng )，而私人生活(huó )也影响到(👢)(dào )了(🍆)她的(🏟)职业(📜)表(biǎ(🛀)o )现(xià(🚦)n )，与丈夫(fū(🥝) )已经(🈺)彼此疏离(lí )，却要被迫面对他突然(rán )的(de )到访。印度电影少(👠)见的(👂)(de )写实(💃)题材(🛸)，以(yǐ(🦎) )一场(🗻)一镜(👾)(jìng )营(🍎)造出(👴)真实迫(pò )力(lì )，将社会低下层女性受(shòu )到压迫的问题表(✔)露无(💐)遗(yí )。 明朝(🤫)有一(😒)个(gè(🔊) )神(shé(😯)n )秘的(💑)组织(🧀)(zhī )——玄衣卫，专门破获各种离奇事件(jiàn )，组员包括苗疆(🔙)传人、萨(sà )满(📉)后裔(😾)等超(🕒)自(zì(🕯) )然界(🗻)高手(🤓)(shǒu )。故事讲(🎒)述了(🦎)(le )玄(xuán )衣卫被奸(jiān )人陷害的几年(nián )后，邪恶组织过阴堂日(🏋)(rì )益(🔥)(yì )猖(😲)狂，皇(🌤)城(ché(⛰)ng )神枢(🗨)营侍(🚷)卫(wè(🔡)i )数月(🦖)内多次无(wú )故失踪。皇帝大怒，特(tè )命(mìng )玉麒麟彻查办此(🧀)事。家(🔠)(jiā )国安危(⛴)之下(🤠)，前玄(🎖)衣卫(🕍)(wèi )指(🕺)(zhǐ )挥(🐉)使高建斌(bīn )只(zhī )身打探，在北镇抚司大(dà )战黑衣杀手，更(🚯)是引出(chū )了(le )背(🕉)后更(😸)大的(🍡)阴谋(👤)……(🐲) 栗(lì(🔱) )子致力于(📶)研究(🗑)(jiū )记忆交换(huàn )技术，男友钟(zhōng )瀚(hàn )非常支持(chí )。科学家白(🚹)堂(tá(🚡)ng )武秘(🈳)密研(🔷)究克(🤳)隆人(🦆)，却(què )只(zhī(🗒) )能搞(🍡)出没有(yǒu )灵魂的空壳(ké )，他意识到记(jì )忆交换技(jì )术是(🔫)他最(👺)需要(yào )的(🕙)(de )。但栗(💧)子不(🕴)愿与(🍮)白堂(🔒)武(wǔ(🛒) )合作。白堂武将钟瀚变(biàn )成(chéng )“白痴”骗(piàn )栗(lì )子帮钟瀚(hà(👥)n )恢复情感。钟(zhō(👤)ng )瀚突(📸)然成(🔘)了绑(🔲)架反(😲)克隆(🤥)(lóng )人(rén )专家刘大明的嫌疑犯。栗子试图帮钟(zhōng )瀚洗冤，竟在自家发现(xià(🎓)n )刘(liú(🐔) )大明(🛃)尸体(🕚)(tǐ )。白(😢)堂武(🍓)提出(chū )克(🧒)隆刘(🍧)大明并植入记忆(yì )。栗子勉强答(dá )应。栗子潜(qián )入白堂武(🥏)实验(⏪)(yàn )室发现(🐿)：真(🐞)正的(🤽)钟瀚(🐝)已(yǐ(🛰) )死(sǐ(📃) )，现在的钟瀚是白堂武(wǔ )的克隆人。白堂武利用(yòng )记(jì )忆(🌥)交换技术(shù )批(🥩)(pī )量(👰)生产(🤖)克(kè(🥞) )隆人(❔)杀手(🌚)。栗(lì )子和钟瀚一起捣毁白堂(táng )武(wǔ )实验室。两人逃亡之际(jì )，钟瀚却将(🍢)自(zì(👉) )己锁(👱)在里(⛑)(lǐ )面(😞)，随实(🏤)验室(shì )一(👠)(yī )起(📡)毁灭。数周后栗子发(fā )现自己怀上钟瀚的孩子(zǐ )，这让她(👚)坚强(📼)(qiáng )地面对(🈲)未来(🥧)(lái )。 Taapmaan is a hard-hitting, dark action drama about an independent filmmaker whose only wish is to become the kind of filmmaker he wants to be. He has been struggling since quite long but still has nobody standing by his side. In addition to this, his not-so-successful career gets affected badly when an online critic, with whose opinion he had once disagreed, gets him framed for making a snuff film. When he's not provided justice, he gets shattered from within and proclaims openly to sacrifice his speech unless he gets justice. But in the age of digital media, isn't he just another guy who wants his work to be seen and appreciated? His battle intensifies when time passes by and lack of justice makes him brutal and extremely angry.